
Different from building in green fields, fysical and social structures are determining the design work on the existing city.
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Under the title 'Vier Häuser und ein Fassadenthema' the German magazine Bauwelt published a review of our design for Hessenberg.
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AIR organized the conference Designing for hospitality about the architecture of the 70-ies in Rotterdam. The conference was part of the research project R 70, for which AIR involved Catherine Visser of DaF-Architecten as guest programmer.
Hans van der Heijden is well familiair with the topic. He has set research projects at Eindhoven University and the Art Academy of Rotterdam.
At the conference Hans presented a design research project to the potentials of the Oosterflank district and defended the thesis that the problems of the 70-ies housing is the product of a weak architectural culture in which the formation of ideas, design labour and building technology were definitely separated.
Referent Herman Meijer (former chair of the Dutch Green Party, Alderman) agreed to Hans’ thesis. He even added that architectural craftmanship has been conciously neglected in the 70-ies- with all its consequences.

The design combines the typology of the semi-detached house with a court-like layout inside the perimeter block.
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Lidwine Spoormans organized a series of lectures about sustainability. Amongst others, Frank Bijdendijk (director of Stadgenoot) spoke about his concept for Solids.

Cities get damaged and deserve to be repared. This recovery calls for a well considered integration in the city structure, for the existing city is refractory and has its own rules.
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'Unesco beliefs that there are many options in between the two extremes of pastiche and contrast, such as harmonious integration utilizing a contemporary architectural expression that sympathetically refers to the historic environment, but not necessarily copies it- a fine example of this was shown to Unesco in the project for the restoration and rehabilitation of the Bluecoat arts centre, where a subtle, contemporary addition was designed as attachment to Liverpool’s oldest surviving building that blended, rather than contrasted.'
Unesco about the Bluecoat